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Hijra - Crab Orchard Series in Poetry | Award-Winning Poetry Collection | Perfect for Book Clubs & Literary Enthusiasts
Hijra - Crab Orchard Series in Poetry | Award-Winning Poetry Collection | Perfect for Book Clubs & Literary EnthusiastsHijra - Crab Orchard Series in Poetry | Award-Winning Poetry Collection | Perfect for Book Clubs & Literary Enthusiasts

Hijra - Crab Orchard Series in Poetry | Award-Winning Poetry Collection | Perfect for Book Clubs & Literary Enthusiasts

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Product Description

In her third poetry collection, Hijra, Hala Alyan creates poems of migration and flight reflecting and bearing witness to the haunting particulars in her transnational journey as well as those of her mother, her aunts, and the female ancestors in Gaza and Syria.   The reader sees war, diaspora, and immigration, and hears the marginalized voices of women of color. The poems use lyrical diction and striking imagery to evoke the weight of an emotional and visceral journey. They grow and build in length and form, reflecting the gains the women in the poems make in re-creating selfhood through endurance and strength.   In prose, narrative, and confessional-style poems, Alyan reflects on how physical space is refashioned, transmitted, and remembered. Her voice is distinct, fresh, relevant, and welcoming.

Customer Reviews

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Perhaps, like me, you've been numbed by the daily footage of civilians surviving the catastrophes in the Middle East. Perhaps the decades of media coverage has ravaged your compassion. If so, the peculiar beauty of these poems, each spoken by a woman under siege, will restore you. I've never thought of poetry as being important in quite this way. I read this collection with gratitude. And, amazingly, like the poems in Alyan's earlier collections, these are also quick, always surprising, always painful or poignant and yet weirdly delightful. Each is a potent compound of sensuality, madness, tenderness, and flashes of some new version of wit. Hijra accomplishes all this while rendering war horrors in mosaics seen up close. Depictions of starvation, for example, are made of fragments of intimate, delicate and luminous flashes of beauty. When you finish reading a poem and step back from the mosaic, the close-up becomes astonishingly and unforgettably real. You will remember these women--many un-housed--women with their lovers or husbands, their sisters and old mothers; sexy women foraging in the rubble for their necklaces or silver spoons, for flowers and bird carcasses for their surviving child's dinner. And you will remember the wealthy girls at a party--perhaps in Beirut--"listening" to a man bleed in the street below the balcony, then smelling the stink of snapped electrical wires, and swilling arak. So Hijra brings the endless headlines of devastation right into your lap. If have been numbed, you will welcome it as a gift.