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An investigation of the gap between sight and sitePublic Figures is an essay-poem with photographs and text that begins with a playful thought experiment: statues of people in public spaces have eyes, but what are they looking at? To answer that question, Jena Osman sets up a camera to track the gaze of a number of statues in Philadelphia―mostly 19th century military figures carrying weapons. How does their point of view differ from our own? And how does it compare, say, to the point of view of other watchful military figures, such as drone pilots? In this book, Osman combines the histories behind these statues with poetic narratives that ask us to think about our own relational positions, and how our own everyday gaze may be complicit with the gun-sights of war. Public Figures illustrates how history is transformed, and even erased, by monuments and other public records of events. Through poetry, those histories can be made visible again. Check for the online reader's companion at http://publicfigures.site.wesleyan.edu.
I claim no technical expertise as a poetry critic, but I found this an exhilarating read, particularly because, like Osman, I live in Philadelphia. The idea of following the gaze of public statues is an inspired intervention in seeing the city; the military chatter from Iraq or Afghanistan that creeps in as the book is ending, is harrowing, forcing my thoughts back to the valorization of war and empire that so many 19th century statues represent, and the permanent state of war on which this nation now seems to be based.