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Romantic Atheism explores the links between English Romantic poetry and the first burst of outspoken atheism in Britain, from the 1780s onward. Martin Priestman examines the work of Blake, Coleridge, Wordsworth, Shelley, Byron and Keats in their most intellectually radical periods, as well as a host of less canonical poet-intellectuals and controversialists of the time. Above all, the book conveys the excitement of Romantic atheism, whose dramatic appeals to new developments in politics, science and comparative mythology lent it a protean energy belied by the more recent conception of "loss of faith."
_Romantic Atheism_ points out the ways in which writers of the Romantic era flirted with and sometimes encouraged different kinds of lack of belief that tended (and still tend) to be lumped together under the term Atheism. Priestman is masterful in untangling all the shades of dissent from orthodox Christian belief in Romantic-period Britain, and shows how the even accusation of atheism entwined with politics. His mastery of the subject and the periodical literature of the era is complete.