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Drawn from classical and religious texts, as well as the work of poets and other artists, Worldwide Worship is a unique celebration of worship found in many religious traditions. These selections have been chosen singularly and as a group by John Marks Templeton, not only for their individual aesthetic beauty, but also to assist us in learning various lessons of life. From this rich mixture of prayer, song, and poetry comes a confirmation of the life-affirming universality of the human spirit. Together these works celebrate the universal principles found in the human mind, and attempt to bridge the gaps between religions, cultures, and peoples of the world.
I picked up this book primarily for the scored music section, and in that area I found the book very disappointing. Of 46 songs scored in the book, about half seem to be from either the Shaker or Unitarian Universalist hymnal, and all but one come from either American or European sources - and that one is by a Filipino Christian. The most interesting piece (to me, at least) is not even properly speaking a hymn at all, but a setting of a poem by Henry Longfellow.These choices, in my view, invalidate the title of the book. Given the title and the symbols of many religions on the cover, I came to it hoping to find actual sacred music from other religions, not just watered-down Christian or Christian-lite hymns chosen for their generality and inoffensiveness.I also was surprised to note, in the first section, "A Gathering of Prayers", how many of the selections are not, in fact, prayers of any kind, but general reflections and poetry excerpts that sometimes do not even have religious content to speak of.All in all, I have found most of the relevant material in other places (Andrew Harvey's "The Essential Mystics", for instance), and most of the material that is unique to this volume is not essential.