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Written in narrow sections that blur the distinction between flash fiction and prose poetry, between memoir and meditation, Monograph veers from the elliptical to the explosive as it dissects the Gordian knot of a marriage’s intellectual, sexual, and domestic lives. Invoking Raymond Chandler, Pythagoras, Joan Didion, and Virginia Woolf as presiding spirits, Simeon Berry curates the negative space of each wry tableau, destabilizing the high seriousness of every lyric aside and slipping quantum uncertainty into the stark lineaments of loss.
The National Poetry Series is committed to ensuring that great works of poetry continue to be published each year. Simeon Berry truly shares that mission; for the second year in a row, he has been selected as a winner of the NPS (one of only two people to achieve repeat glory) and published a beautiful collection. "Monograph" is notably different from last year's "Ampersand Revisited", though the author's voice maintains its authenticity. Reading Berry's writing is like sitting in a boat in a calm sea: you safely ride the emotional waves up and down, all the while hoping you remembered to pack a life jacket. The writing oscillates between dark, cutting truths to explosive one-liners. How can one writer say so much in so few words? Perhaps he'll win again and we can know the answer.